Jschlatt’s ‘A Very 1999 Christmas’ is an Ode to Christmas Past

YouTuber Jschlatt surprises with an endearing, Christmas cover album.

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"A Veru 1999 Christmas" released Dec. 1. (Courtesy of Schlatt & Co.)
"A Veru 1999 Christmas" released Dec. 1. (Courtesy of Schlatt & Co.)

Released Dec. 1, “A Very 1999 Christmas” adds Jschlatt to the growing roster of ex-Minecraft YouTubers — such as Dream and Wilbur Soot — who have forced their way into the music industry.

Though arguably less authentic than his peers, Jschlatt makes it clear the album isn’t his next career move, saying in a video the project came to life simply because he thought it would be funny.

Yet, the Brooklyn-born YouTuber surprisingly channels the swing and jazz of mid-century New York City, matching the suave excellence of other East Coast legends like Frank Sinatra and Billie Holiday.

The album opens unceremoniously with “Let it Snow! Let it Snow! Let it Snow!,” originally recorded by Vaughn Monroe in 1945. However, the two-minute runtime and repetitive lyrics leave little opportunity for Jschlatt to showcase his abilities as a singer.

The ensuing rendition of “Baby, It’s Cold Outside” is arguably another low point for the album.

Initially recorded by Frank Loesser and his wife Lynn Garland in 1944, Jschlatt’s duet partner is a generic choir, lacking depth and vocal bite.

The third track “White Christmas” is where the record finally allows Jschlatt to flex his Brooklyn accent, with smooth, resonant rhythms reminiscent of a fresh-faced Frank Sinatra. Complemented by an airy choir, “White Christmas” captures the nostalgic essence of late winter nights, much like Bing Crosby’s original 1945 single.

First recorded by The Nat King Cole Trio in 1946, “The Christmas Song” follows in the footsteps of “White Christmas” — improving on Jschlatts established formula through the drawn-out notes and subtle twang of guitars, differentiating it from the abundant piano melodies.

Released Nov. 8 to prelude the album, “Santa Claus Is Comin’ to Town” is yet another impressive display of Jschlatt’s vocal versatility. Debuted by Harry Reser in 1934, the cover modernizes the classic swing genre, blending smooth lyrical phrasing and an upbeat energy for a classic holiday tune.

“Have Yourself a Merry Little Christmas” follows with a sobering attitude. First released by Judy Garland in 1944, Jschlatt’s rendition boasts an orchestral and blues-infused composition absent from the original.

The penultimate “Happy Holidays” is a well-rounded display of Jschlatt’s singing finesse. Shifting from the lower tones of previous songs, the track’s higher range of notes allows for a standout performance.

The album concludes with “It’s the Most Wonderful Time of the Year,” a cover of Andy Williams’ 1963 track. Like “Happy Holidays,” Jschlatt brings a sense of joy and energy to the classic through his higher pitched deliveries. 

Although the YouTuber never set out to do anything grand, “A Very 1999 Christmas” is a novelty with very little staying power, but is still enjoyable for a lighthearted holiday listen.

“A Very 1999 Christmas” shows Jschlatt has the potential to revive the swing of the 20th century if he chooses to continue singing — a testament to the YouTuber’s creative ambition and artistic versatility.

“A Very 1999 Christmas” is available on all major streaming platforms.

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