“Mickey 17” is reliably endearing, though not worth counting on.
Director Mark Anthony Green explains the muses behind his debut feature film, “Opus.”
Chicago-based thriller “INVADER” isn’t capable of captivating an audience.
Osgood Perkins’ “The Monkey” is a harebrained take on a Stephen King short story.
“Paddington in Peru” embarks the British bear on a quest through South America.
“Dog Man” manages to endear, even when chasing its own tail.
David Lynch’s debut film, “Eraserhead” is an etherial masterwork.