Chicago-based thriller “INVADER” isn’t capable of captivating an audience.
Chicago-based thriller “INVADER” isn’t capable of captivating an audience.
“Dog Man” manages to endear, even when chasing its own tail.
French filmmaker Aurélie Saada depicts a wilted life in boom with “Rose.”
“The Brutalist” tears down the monument of American idealism.
“Wicked” details the origins of the Wicked Witch of the West from “The Wizard of Oz.”
“Y2K” is an earnest tribute to both ’90s comedies and practical effects.